
Previous work includes The Watery Part of the World – where the audience were plunged into total darkness where they witnessed the thrill of a 19th century whale hunt – and Ether Frolics, which took the audience on a theatrical anaesthetic trip, and the critically acclaimed Kursk saw Sound&Fury place its audience in the secret world of a Royal Navy submarine. In each of these cases fractured images, glimpses of scenes, visual and sonic tricks and a 360 degree sound scape have created worlds which have redefined the performance space in ways which audiences find thrilling, transporting and disorienting.
The Guardian has described their performance style as “Total theatre that doesn't just happen all around you, but that swallows you up completely ... you feel as if you are experiencing the whole thing through your skin.”
www.soundandfury.org.uk